Rob opted to save the source images as well as the final multiple exposure, using the multiple exposure menu on the Canon EOS R6. It was just a case of working methodically through each stage of the multiple exposure, then repeating them in reverse, as we knew everything should be in the right position." Finally, the drone was removed and we did some additional light painting. "The blend of the first and second exposures allowed us to understand where the drone needed to be positioned in order to paint in the red light reflections in the water during the third exposure. So once we had shot the stencil, we could simply reframe the composition to place it within the landscape. "The beauty of Canon's multiple exposure mode is that you can choose to see the final image coming to life in real-time on the display, rather than having to guesstimate how the individual exposures will work together. "We positioned the stencil at a distance that would give the shape the right proportions in our finished image. "We did a lot of planning before it got dark in order to work out where to position the camera so that everything would be at the correct scale," explains Rob. DPP gives you even more creative options, such as adjusting the visibility and position of each image within the multiple exposure, and selecting from a number of blending modes.
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You can also "undo" an exposure and shoot an alternative.Įven if your camera doesn't feature multiple exposure shooting, you can still combine images with the Compositing tool in Canon's Digital Photo Professional (DPP) software. Conversely, Dark mode gives exposure priority to dark areas of an image so that they retain their brightness without increasing the brightness of highlight areas when they overlap.Īs you shoot, you can preview the merged result on the Live View display (or the EVF of a mirrorless camera), enabling you to accurately position subsequent shots. Average blending mode, however, automatically adjusts the exposure in any overlapping areas to avoid overexposure.īright mode gives exposure priority to bright areas of images so that they retain their brightness when overlaid, while the brightness in dark areas such as night skies isn't increased. Additive simply overlays images one over another, combining the brightness of each image, so overlaying one image with another of the same exposure would produce a combined image that’s one-stop brighter. Using in-camera blending modes – Additive, Average, Bright or Dark – can help you achieve different creative results, as they affect the final exposure.
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